Friday, May 29, 2009

NOCHE BAJO EL LIMONERO


Me siento en el balcón,

junto al limonero.

Es de noche y sudo.

Llego de correr,

de moverme,

de hacer algo,

algo,

romper el tedio,

la rutina aceitosa,

otro día pegajoso,

áspero largo y corto

todo revuelto,

empaquetado con lazo

de plástico y enviado

por mensajero

a la tumba del tiempo.

 

La noche ha refrescado;

mejor.

Un limón cuelga

ante mis ojos.

Verde.

Brillante.

Hermoso.

Ajeno

a mi soledad.

Como un perro

que lame los pies

del amo

all llegar éste

a casa,

el limón

parece mirarme.

Lo tomo,

lo acerco a mi nariz.

Inspiro su aroma

suave,

levemente ácido

cómo el perfume

perfecto e improbable

de una mujer

improbable.

Y me emociono.

Un golpe súbito,

Inmediato,

al alma.

El olor, una llave al

corazón, a esa pena

eterna,

profunda,

grabada en

obsidiana líquida.

Roja.

Sangre.

Otro día será

llave de dicha.

Ojalá.

Pero no ahora.

El limón reposa sobre

la mesa mientras

escribo.

Admiro su piel verde,

silenciosa.

No habla,

que no es igual

a no decir nada.

Ya no lloro.

El corazón

se ha retirado

del espolón de proa

a su [otra] posición:

la sala de máquinas.

Aquí hay menos brisa,

menos humedad,

y no se ven las estrellas.

La caldera sigue

quemando energía,

tirando del buque,

aunque haya noches

[y días]

en que el océano

es más sumidero

que sendero.

[No me olvidéis].

 

 

 

 

 

 

 

 

Thursday, February 21, 2008

ESTHETIC OF LIFE

Because life, mysterious as it is, can't help but be beautiful. Life  is a gigantic and fantastic work of art. It's always been so and it will always be. We don't suffer more catastrophes now than 100 years ago; now we just have television. That's the difference. The rest remains the same: men who want to live, men who want to kill and men who don't care either way, men that are already dead.

But Nature is stronger than all of us. It's always been so and it will always be. I trust beauty and love. I know there are lies, nihilism, cruelty, violence, despair and many more calamities but I refuse to give in to them; I refuse to compromise my Liberty. 

Liberty to feel excited, to reach out, to fight the good and imperfect fight to be human. Who was the idiot who invented political assassinations?

I like chimeras. Yes, I do. I like them because, first of all, I love the word. It makes me feel the whispering of a pair of sweet and sensual lips pronouncing slowly: chi...me...ra... And who do I care if you don't speak my tongue when you do speak my language?

I also like it because it speaks of windows, of spaces, of new universes, of impossible horizons that become possible simply by defining them. Just like the contours of a painting containing life's perpetually flowing heart and chaos. Because love and art are born from chimeras' uterus; and from a strawberry ice-cream; and from a kiss; from a sunset; from the sweat of a birth; from a wave breaking against the rocks; from your eyes; from a common cause that inspires
us to give our lives (never to take it); from a walk on Coney Island at dusk. Points, marks, memories, sensations, tastes, touches, sounds, scents, colors...

I see men walking down Seventh Avenue, Brooklyn. Some are friends, some are not. The normal thing. The sun rises and sets. In Spring flowers bloom and in Summer we believe we are immortal. It's life, nothing more, nothing less. My esthetic proposal.

UTEROLANDIA (Industrial water paint on canvas. 10 feet x 6.5 feet)



UTEROLANDIA (Detail)

MAN IN CAGE (ALMOST). (Industrial water paint on canvas. 10 feet x 7 feet)